Creative 360 Degree

Human Resources professionals are inundated with resumes on a daily basis. Now, more than ever before, job seekers must learn to make their resumes stand out. One of the simplest and more effective ways to do this is by using power words and phrases. These words add muscle to your resume statements and exhibit intelligence. Search online for resume power words and you will be overwhelmed by the amount of websites that claim to 'provide' the complete list of resume power words.

Some power word sites list several words as power words that are NOT power words at all. Your resume can land up in the reject pile if you use the wrong phraseology.

Creativity

Five words you should never use on your resume are:

A lot - This is probably the most obvious in the list. The problem with saying 'a lot' is that the phrase is entirely too vague. 'A lot' probably means something different to you from what the phrase means to me. There is no value in the phrase 'a lot.' One girl saying, "I eat a lot of chocolate," could mean something entirely different from another girl making the same statement. How much is 'a lot?'

Instead of saying, "I did XYZ a lot of the time," you could say, "I did XYZ 16 hours per work week." The more specifications you add to your resume, the better your chances are of getting an interview.

Creative - Should someone who boasts of being creative actually have to come right out and say they are creative? Probably not. The best way to show creativity is by accentuating accomplishments or skills you have that emphasize your creativity.

Flexible - Flexible is so overused that the word has lost all power. Flexible does not impress anyone. Flex that muscle on top of your head and come up with another power word that gets the same idea across.

If you are applying for a job where physical flexibility is critical (i.e. ballerina or yoga master) feel free to leave this word on your resume.

Interesting - Interesting as a power word is not interesting enough to grab or keep the attention of a human resources executive. Using stronger power words will create the idea that you are interesting and companies will be interested in calling you for an interview. Anyone truly interesting will never come right out and say that they are!

It - Using 'it' in place of actually telling what 'it' means confuses most readers.

Want another reason to cut 'it' out?

You automatically appear more intelligent.

Using power words can boost the effectiveness of your resume.

For more words that should never appear on your resume, check out the free e-book "197 Words You Should Never Use on Your Resume" written by the creators of http://www.ResumeDictionary.com

Freelance writer and high school English teacher.

Many of the novels produced today have fight scenes which must be described in detail. If you are writing a suspense or horror story, chances are someone will throw a few punches. Depending on the type of fight you are writing about, you will need to think through each fight scene and decide exactly how you want to tell it.

Fight scenes are much easier to perform on television than to write in a manuscript. On the screen, you can see the fight happening and you aren't worried about what anyone is thinking. You don't have to tell the audience how each move is executed because it is right there in front of your face. In a novel, however, the way you write a fight scene will determine whether or not your reader can follow.

Creative

One of the most difficult aspect of writing fight scenes is the tendency to slip into monotony: He kicked her. She kicked him. He punched her. She bit him. In order to keep your reader interested, you have to find creative ways to tell the reader what is happening.

When writing fight scenes, focus not only on the characters who are engaged in the fight, but also various aspects of the scenery. In most cases, you will be "in the mind" of one specific character, which means that the fight is explained from his or her point of view. Even as your character is kicking ass and taking names, he or she should be cognizant of the world around them.

There is a fine line, however, between creating enough description and creating so much that it takes away from the pace. Fights are fast, furious and often over within minutes; if you drag it out too long, your reader will get bored. Keep the pace flowing by intermixing your description with the mechanics of the fight.

For example:

"Caleb was momentarily distracted by the shouts that emanated from the rapidly growing crowd in the parking lot. Catcalls were followed by cheers of encouragement so loud that his attention was momentarily called away from the fight. Joshua's leg swept out in a wide, graceful art, connecting with Caleb's ankles, throwing him off balance. Without even realizing what exactly was happening, Caleb found himself flat on his back, sucking in deep breaths of air that seemed devoid of oxygen, wincing as tiny pebbles from the asphalt dug painfully into his back. The subsequent tunnel vision that threatened to take away his sight cleared with just enough time to roll away from a kick to the ribs."

The above is an excerpt from a suspense novel I wrote several years ago, and displays an example of complementing action with description. We know what is going on with the fight, but we also understand what has happened to Caleb.

Once you have finished writing a fight scene, read it over aloud. Listen to the words from an objective point of view and determine if you can see the fight happening in your mind. If you don't feel that you can maintain objectivity, read it to a friend or family member.

About this Author

Laura J. College is a professional ghostwriter with more than ten years' experience writing fiction and non-fiction manuscripts. Her work can be found all over the Internet, and she is currently accepting ghostwriting clients. Check out her website at [http://www.laurajcollege.com]

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